Film and TV drama
Also known as: DIT
Digital imaging technicians (DITs) help the director of photography (DoP) with the digital knowhow of the camera.
They advise the DoP on contrast, brightness and the effects of under or over-exposure, as these constraints are different from shooting with film. They also advise the camera crew on shots in progress, reporting any soft focus, framing issues or unwanted reflections and shadows.
They do quality control checks on the recorded material. Most digital footage on professional shoots is shot raw, which means it has no colour baked in and the colour is applied in post-production. DITs apply colour to the raw footage to give an idea of how it will look. And they might be asked to put it into a viewable file so the director can watch it on a tablet on the way home.
DITs work most closely with the camera department. On some shoots they are needed at the director of photography’s side. They also need a good relationship with the second assistant director, as they give footage to the DIT when needed. DITs will often have to make reference shots for different departments like hair and make-up, costume and the script supervisor. On larger productions they’re assisted by the data wrangler.
Typically, digital imaging technicians work their way up through the camera department. A good route into this is through becoming a camera trainee. ScreenSkills and the Guild of British Camera Technicians both run trainee schemes. Follow these steps for your best chance of being successful in an application.
At school or college:
If you want to go to university
Take A-levels or Highers in a combination that includes art, art and design or graphic communication with maths and physics. Or you might want to take one of the following Level 3 vocational qualifications:
If you want to go straight into a job or apprenticeship, the following qualifications Level 3 vocational qualifications are relevant:
Get an apprenticeship:
An apprenticeship is a job with training, so it’s a great opportunity to earn while you learn. However, it can be challenging to find jobs as an apprentice with production companies as many are not able to take on people for a whole year, which is an apprenticeship requirement at the moment. But in England, there’s a Level 3 apprenticeship as a photographic assistant. You might be able to find a job through that standard with an employer in another sector, such as a government department or digital media company. Think about taking that job, learning the core skills of photography and transferring those skills into film and TV drama at a later point.
Before taking any apprenticeship, check what you’ll be learning with your prospective employer and college, so you can be sure it will be giving you the skills you want. Go to how to become an apprentice to learn how to find apprenticeships in your region or approach companies directly.
Make a portfolio:
Learn about digital photography, both still and moving images. Make some films showing your ability to shoot and grade. Look at our advice on how to build a portfolio. A portfolio is essential for impressing admissions tutors and people in the film and TV drama industries.
Work for an equipment company:
Get your hands on as much gear as you can and learn how it works. Contact an equipment rental company like Panavision, Provision or ARRI Rentals. Ask if you can become a kit runner or driver for them. That way you will get to learn more about the kit and build up contacts. See our advice on approaching employers to learn how to do this.
Get a degree:
It’s not essential by any means, but if you want a degree, have a look at ScreenSkills’ list of recommended courses in film and TV. We recognise courses with our ScreenSkills Select award where they offer training in the relevant software, dedicated time to building a portfolio and have strong links with the film and TV industries.
Go to ScreenSkills’ events, especially Open Doors where you can meet people who work in the industry. Give people in the camera department your details and ask if you can do work experience. Look at our page that explains how to network well.
Create a LinkedIn profile. See if there’s a Facebook page or other social media group for people making films or videos in your area. Join it. Create a ScreenSkills profile.
Being a digital imaging technician in the unscripted TV industry.
Involves making sequences on a computer that can't be created on set, like enormous crowds and fire-breathing dragons
Combines art with programming as well as production, design and testing - the UK’s fastest growing entertainment industry
Creates the illusion of movement, includes computer-generated, stop-motion and hand-drawn animation
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