Also known as: Floor sound assistant, Sound floor operator
Sound assistants generally assist sound recordists to make sure the whole sound recording process runs smoothly and safely; they also provide general support to the sound crew. They unload and set up sound equipment and PA systems. They de-rig and reload at the end of the day. They attach mics and run cables in effective, safe positions and often lay carpet to stop unwanted noise being picked up from the floor.
Sound assistant roles can vary in seniority depending on the production. On many productions, this is the entry level role. Sound assistants do jobs like replacing and changing batteries, securing and monitoring cabling and making teas and coffees. On some productions, sound assistants have a little more experience and are required to monitor sound and record background sound with a boom.
If there are any issues with unwanted noise, sound assistants need to deal with these as quickly as possible, communicating tactfully with whoever’s making the noise so the shoot is not disturbed. At the end of the day, they make sure all the sound media has been labelled and any sound paperwork delivered to the production office.
Sound assistants are usually employed as freelancers and are often requested by the same sound recordists after a good working relationship has been established.
Sound assistants report to either the sound supervisor or sound operator, depending on the type of shoot, and will communicate regularly during filming with all the technical crew and the production team.
The most important thing is to have a passion for sound. Whether from live music, radio or DJ-ing, listen to sounds and learn how to record them. This is what will shine though.
At school or college:
You can take A-levels or Highers in music, physics, maths, media studies or film studies.
If you want to go straight into a job or apprenticeship, the following Level 3 vocational qualifications will equip you:
Get an apprenticeship:
Apprenticeships are jobs with training. They’re a great opportunity to earn while you learn. Some of the major broadcasters offer apprenticeships. Check out the schemes with the BBC, Channel 4, Channel 5, Sky and ITV.
If you can’t get an apprenticeship with a broadcaster, it might be worth trying to find one outside the TV industry, where you can develop your skills and your craft. You can then move into TV at a later point.
In England, there’s a Level 3 apprenticeship as a Creative Venue Technician. You might be able to find a job through that standard with an employer in another sector, such as the theatre. Think about taking that job, learning the core skills of sound and transferring those skills into film and TV drama at a later point.
Before taking any apprenticeship, check what you’ll be learning with your prospective employer and college, so you can be sure it will give you the skills you want. Go to how to become an apprentice to learn how to find apprenticeships in your region, or approach companies directly.
Build a portfolio:
Create work that you can show off to employers. This is essential. Go to build your sound portfolio to learn how.
Get a degree:
You don’t need a degree to do this job, but if you’d like one, consider studying sound design, music or film and television production.
Have a look at ScreenSkills’ list of recommended courses and select one in unscripted TV. We recognise courses with our ScreenSkills Select award where they offer training in the relevant software, dedicated time to building a portfolio and have strong links with the film and TV industries.
Get work experience:
Try to get work experience by writing to local production companies and asking if they offer any. Keep an eye out for work experience opportunities at the BBC, Channel 4, ITV, Channel 5, Sky and the PACT Indie Diversity Training Scheme.
Work for an equipment hire company:
See if you can find a job or work experience with a company that hires out sound equipment. This will provide you with valuable experience of handling recording equipment.
Look outside the industry:
There are roles in sound available in other media industries, such as radio, music production and advertising. You can gain experience in a role in one of these industries that you can later transfer to a role in unscripted TV.
Take a short course:
Hone your skills in working with sound by taking a specialist course. The National Film and Television School has a short course in Location Sound Recording. Go to the list of training courses recommended by ScreenSkills to see if there is one in sound recording or sound design.
Get to know people in the unscripted TV industry by attending events. Meet professionals and ask them questions about their work, while demonstrating interest in and knowledge of the industry. Offer to provide them with your professional contact details and try to stay in touch with them. Go to how to network well to learn how to do this.
Create a LinkedIn profile. See if there are Facebook pages or other social media groups for people making unscripted TV in your area. There might even be groups for runners and trainees. Join them. Create a ScreenSkills profile. There are a lot of crewing agencies that will charge you to be on their books. Sign up to the free ones initially. Wales Screen, Northern Ireland Screen and other areas offer free crew databases. Find a film office near you and get connected. If you do sign up to paid sites, make sure they specialise in the areas in which you’re interested.
Search for jobs:
Research unscripted TV production companies that you’d like to work for and watch the programmes that they make. Regularly check their websites and job listings websites to see if they are advertising for roles. You can also send in a short speculative letter with your CV to sound professionals with whom you would like to work. StartinTV offers tips on creating your CV and attending interviews, as well as some advice for your first day working in TV.
Being a grams operator in the unscripted TV industry. You might also be interested in being a sound mixer in the film and TV drama industry. Alternatively, you could consider being a sound designer in the games industry or a sound designer in the animation industry.
Covers genres ranging from period dramas to epic fantasies screened at the cinema, on TV or on streaming sites
Involves making sequences on a computer that can't be created on set, like enormous crowds and fire-breathing dragons
Combines art with programming as well as production, design and testing - the UK’s fastest growing entertainment industry