Also known as: Sound engineer
Sound recordists capture all of the sound on location for a TV programme. This can include dialogue, singing and action – from performance to real events. They set up mics and deal with any issues to do with their placement, thinking about the combinations of mics they use – such as boom microphones and hidden 'personal' or 'radio' microphones – to keep consistency with the shot and shot size and to avoid issues such as phasing (time delays) between the mics.
Sound recordists also work around any issues with background noise. The job is as much about making sure you don’t record the sounds you don’t want as recording the ones you do. They listen to make sure nothing’s wrong with the take, to see whether it needs to be recorded again. The sound has to make sense with the visuals, so sound recordists will often record a 'wild track' of realistic background noise that can be used in the edit to fill any gaps in the background atmosphere caused by editing, or added to a scene without drowning out the dialogue.
On studio productions or big outside broadcasts (OBs), several sound recordists work to one sound supervisor. For smaller location shoots, sound recordists will work alongside a camera operator, recording anything from interviews to group activity, following real events (known as “actuality”) or produced events. On very simple jobs, a producer/director will occasionally record the sound themselves.
Sound recordists are normally freelance. Camera operators tend to have relationships with specific sound recordists, so when companies are hiring, they might ask the camera operator if they have preferences for who they would like to work with.
Sound recordists work intimately, fitting personal mics and monitoring the sound output on all on-screen talent and contributors. They communicate with all members of the production and crew, especially camera operators and directors. On OBs or studio location, they report to the sound supervisor and work with the grams operator, sound mixer and sound assistant.
Sound recordist is a senior role, so you’ll probably need experience as a sound assistant first. You might get into this role by gaining experience as a studio runner, or you might have been a sound trainee in film and TV drama.
At school or college:
If you want to go to university, you can take A-levels or Highers in maths, physics and music.
If you want to go straight into a job or apprenticeship, the following Level 3 vocational qualifications will equip you:
Get an apprenticeship:
Apprenticeships are jobs with training. They’re a great opportunity to earn while you learn. Some of the major broadcasters offer apprenticeships. Check out the schemes with the BBC, Channel 4, Channel 5, Sky and ITV.
If you can’t get an apprenticeship with a broadcaster, it might be worth trying to find one outside the TV industry, where you can develop your skills and your craft. You can then move into TV at a later point.
In England, there’s a Level 3 apprenticeship as a Creative Venue Technician. You might be able to find a job through that standard with an employer in another sector, such as the theatre. Think about taking that job, learning the core skills of sound and transferring those skills into film and TV drama at a later point.
Before taking any apprenticeship, check what you’ll be learning with your prospective employer and college, so you can be sure it will give you the skills you want. Go to how to become an apprentice to learn how to find apprenticeships in your region, or approach companies directly.
Build a portfolio:
Create work that you can show off to employers. This is essential. Go to build your sound portfolio to learn how.
Get a degree:
You don’t need a degree to do this job, but if you’d like one, consider studying sound design, music or film and television production.
Have a look at ScreenSkills’ list of recommended courses and select one in unscripted TV. We recognise courses with our ScreenSkills Select award where they offer training in the relevant software, dedicated time to building a portfolio and have strong links with the film and TV industries.
Get work experience:
Try to get work experience by writing to local production companies and asking if they offer any. Keep an eye out for work experience opportunities at the BBC, Channel 4, Channel 5, ITV and Sky.
Work for an equipment hire company:
See if you can find a job or work experience with a company that hires out sound equipment. This will provide you with valuable experience of handling recording equipment.
Look outside the industry:
There are roles in sound recording available in other media industries, such as radio, music production and advertising. You can gain experience in a role in one of these industries that you can later transfer to a role in unscripted TV.
Take a short course:
Hone your skills in sound recording by taking a specialist course. The National Film and Television School has a short course in Location Sound Recording. Go to the list of training courses recommended by ScreenSkills to see if there is one in sound recording or sound design.
Get to know people in the unscripted TV industry by attending events. Meet professionals and ask them questions about their work, while demonstrating interest in and knowledge of the industry. Offer to provide them with your professional contact details and try to stay in touch with them. Go to how to network well to learn how to do this.
Create a LinkedIn profile. See if there are Facebook pages or other social media groups for people making unscripted TV in your area. There might even be groups for runners and trainees. Join them. Create a ScreenSkills profile. There are a lot of crewing agencies that will charge you to be on their books. Sign up to the free ones initially. Wales Screen, Northern Ireland Screen and other areas offer free crew databases. Find a film office near you and get connected. If you do sign up to paid sites, make sure they specialise in the areas in which you’re interested.
Search for jobs:
Research unscripted TV production companies that you’d like to work for and watch the programmes that they make. Regularly check their websites to see if they are advertising for sound recordist roles. You can also send in a short speculative letter with your CV to sound professionals with whom you would like to work. StartinTV offers tips on creating your CV and attending interviews, as well as some advice for your first day working in TV.
Being a sound mixer in the film and TV drama industry or being a grams operator in the unscripted TV industry. Alternatively, you could consider being a sound designer in the animation industry or a sound designer in the games industry.
Covers genres ranging from period dramas to epic fantasies screened at the cinema, on TV or on streaming sites
Involves making sequences on a computer that can't be created on set, like enormous crowds and fire-breathing dragons
Combines art with programming as well as production, design and testing - the UK’s fastest growing entertainment industry
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