Post-production
Motion graphic designer
What does a motion graphic designer do?
Motion graphic designers are essential in the making of any TV show, film, video game or commercial. They might be required to create the opening titles for a new TV series or a sequence that explains the growth of a deadly virus for a documentary. They could be asked to design the style of name captions on a chat show or create stylised graphic elements such as an animated chart showing the number of medal winners in the Olympics.
They are often called upon to create an entire "look" for a new series, so for a talent show or quiz game that means providing the opening titles, logos, name captions and closing credits, as well as working with the colour palette and design of the set so that the programme has a coherent, easily identifiable look – particularly important if the series format is to be sold around the world. It’s important to design graphics that work well not only on television or in the cinema, but also on social media, in print media and even on T-shirts and other merchandise. Motion graphics designers need to be able to assess a production brief and understand and work with those requirements during pre-production through to design, production itself and final post. Recently there’s been a move for motion designers to work on VR (virtual reality) elements for films and studio productions, using green screens and 3D graphic software.
Some designers work within production. For example, news graphics are usually prepared just before a story goes out, while on films they may need to design something that’s part of a film set, such as a prop like a newspaper or poster. However, only motion graphics designers work within the post-production family and a vast amount of the work they do comes after the programme has been filmed or recorded.
Many graphic designers are freelance and hired for specific jobs, although a lot of post-production companies and big television studios such as BBC News have their own in-house design teams who may be on the staff.
Some work within a team of graphic artists for specialised ‘graphics companies’ or ‘graphics houses’. Others own their own companies.
A successful motion graphics designer will have the opportunity to create sequences that become legendary, perhaps by producing the opening titles of a long-running sports programme, film title sequence or even the totaliser in a much-loved charity telethon.
Watch and read
- Motion graphics explained: definition, history and examples
- What Motion Designers do and how to become one
- Graphic props design in film: The substance of visual storytelling
What’s a motion graphics designer good at?
- Art: have a good eye, be able to draw, have a strong visual sense and keep up with current trends
- Creativity: have a genuinely original approach, be able to create a new look, enhance the mood and feel of a production through the graphics
- Attention to detail: work quickly but accurately, spot errors, have a keen eye for colour, get the spellings and names and job titles right
- Collaboration: be able to interpret the vision of the director or producer, share ideas and communicate
- Knowledge of software: have strong knowledge of different graphic design programs and an understanding of editing, animation and camera work as well as traditional forms of graphic design
Who does a motion graphics designer work with?
Motion graphics designers work closely with the executive producer, editorial team or production designer.
How do I become a motion graphics designer?
Most motion graphics designers were very good at art and design at school and also enjoyed using graphic design software. Some will have started their careers as runners in post-production houses and worked their way up from there, while others will have become established in other industries, such as video editing and gaming graphic design, and moved into post-production after that.
At school or college:
Learning traditional drawing, painting and sculpting is a useful way to demonstrate artistic flair outside software. If you want to go to university, A-levels or Highers in art and design, graphic design and graphic communication are useful. Or you might want to take a level 3 vocational qualification in one of those subjects such as:
- UAL Applied General Diploma in Art and Design
- UAL Diploma/Extended Diploma in Art and Design
- OCR Cambridge Technical Diploma in Art and Design (3D Design)
- OCR Cambridge Technical Diploma in Art and Design (Graphic Design)
- OCR Cambridge Technical Diploma in Art and Design (Photography)
- T level Craft and Design
Get a degree:
It’s not essential to have a degree to be a graphic artist, but you might find it useful. Studying a subject like graphic design, animation, art and design, communication design or illustration will stand you in good stead.
Build a portfolio:
Learn graphic design software, experiment with your own designs and build a portfolio. This is essential for impressing admissions tutors and people in the post-production industry. Go to Build your art portfolio to learn how.
Get work experience:
Try to get work experience by writing to post-production companies and asking if they offer any. Use the UK Screen Alliance directory or Eleanor Adler’s list of post-production companies to find the main ones. Work experience with a graphic design company would be useful too.
Look outside the industry:
All sorts of industries employ graphic artists, including publishing, advertising and manufacturing. Any experience as a graphic designer can be useful, giving you skills that you can transfer into the film, TV and post-production industries.
Search for jobs:
Research the post-production houses you’d like to work for and watch the programmes that they make. Regularly check their websites to see if they are advertising for roles. Check out ScreenSkills job boards and Animation UK job vacancies. Send in your CV and ask if they’re recruiting.
Meet people in the industry:
Go to ScreenSkills’ events, follow your local film office and any local community arts and media organisations and attend their events. Go to how to network well for some tips.
Network online:
Create a LinkedIn profile. See if there’s a Facebook page or other social media group for people making films or videos in your area. Join it and take part. Create a ScreenSkills profile.
Explore ScreenSkills Resources:
ScreenSkills careers information:
The your career hub has a wealth of resources designed to help you start or progress your career.
ScreenSkills e-learning:
ScreenSkills has a suite of free e-learning modules for those who are over 18 which can improve your knowledge. The ScreenSkills Passport modules also prepare you as they are essential for some production roles. Some modules are available for those under 18. For anyone wanting advice about first steps, the Getting into the screen industries modules are very useful.
ScreenSkills skills checklists:
If you would like more detail about the tasks, responsibilities and skills required for many key roles in film and TV drama, children’s TV and unscripted TV you can look at our skills checklists.
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