Visual storytelling: an interactive workshop for unscripted TV

A cartoon figure with thought bubbles of a light and microphone.
A cartoon figure with thought bubbles of a light and microphone.
Career stages
Early, Experienced, Expert
Industries
Unscripted TV
Funding
ScreenSkills funded

As part of our Step Up strand, we're offering training to help individuals coming back into the industry after a break, moving into a new role or responsibility level, or improving skills in unscripted TV. 

When we tell stories, we think of key sync and interviews as being the crux of the narrative. But the role of ‘pictures’ and visual storytelling are sometimes overlooked.

If you can develop how you ‘see’ and 'consider' this element, you'll add a great deal to your filmmaking. 

Using clips as examples, alongside practical exercises, Sarah's workshop asks you to limber up and stretch the visuals of your storytelling brain.

NB please be prepared to have your cameras and microphones on, in order to take part in this workshop.

Who it's for

This session is for unscripted TV APs wanting to step up, DV directors and new self-shooting PDs, or experienced shooting PDs who want to hear how others perform this role.  

The majority of the USF online short course offering is for those at early career stage and above. As a result, we generally require applicants to have at least 3 credits (unless working in a traditionally uncredited role). If you strongly feel you would still benefit from the training, please email USF@screenskills.com so we can assess if an exception should be made.

We are committed to ensuring all our courses are accessible to everyone. This course is designed to be as interactive as possible. Please email the above address if you have any access requirements and we will be delighted to help, be that clarifying the form such interaction is likely to take or discussing reasonable adjustments.

Trainer

Sarah Kerley-Burton is a Series Director and Senior Edit Producer with 20 years experience making factual programmes. Having spent most of her career wielding a camera her directing credits include: World's Strictest Parents, Mary's Bottom Line and Young Mums' Mansion. As an EP Sarah's made films such as Beyond the Beach, the Hell and the Hope, Celebrity Hunted, Lodgers for Codgers, and the Savoy

How to apply

This session will take place online via Zoom. Click ‘apply for ticket’ and follow the instructions to apply for your place: you must login or register before you are able to complete your application.

Places on these free online courses are limited and applications are often highly competitive. To stand the best chance of securing a place, please be sure to consider the following:

  • When asked to list your three most recent credits, please include the programme title and your job role.
  • When asked what you hope to gain from the course, please be concise but ensure you cover the specific elements of the topic you would like to gain knowledge of and what gaps in your skillset you believe the course may address. A rewording of the course title or a general comment on career progression does not tell us much about how this course would benefit you.

If you are no longer able to attend, we ask you to please use the “decline ticket” function on the right hand side of the page so that we can release your place. Our sessions are often oversubscribed, so we’d like to give other freelancers the opportunity to fill available spots. Thank you for your consideration.

This session is supported by the ScreenSkills Unscripted TV Skills Fund which invests in training for the unscripted workforce thanks to contributions from broadcasters, SVoDs and production companies.

This course would normally cost participants to attend, but thanks to this support, we are able to offer it to you for free. If you fail to attend, we reserve the right to request reimbursement of costs, unless your place can be taken by someone else.

ScreenSkills

ScreenSkills

ScreenSkills develops skills and talent to support the UK's screen industries.

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