I'm Holly, currently the Development Assistant at Three Tables Productions, a London based indie who prioritise diversity and difference and are drawn to audacious methods of storytelling. I have just completed a period working as a shadow Script Editor on the Channel 4Screenwriting Course 2020 and prior to this I worked at Sky Drama as their inhouse Reader and Commissioning Assistant.
I had the good fortune to begin my career in TV development working as a freelance script reader, a role which led me to spend three months full-time as an inhouse Commissioning Assistant, Reader and Table Read Co-ordinator at Sky Drama. From 2017-2019 I worked predominately as a freelance script reader for Sky, Magic Light Pictures, Playground Entertainment and Chapter One as well as writing and developing my own work.
I'm also a writer originally from Nottingham, trained on the Royal Central School of Speech and Drama's MA Acting (Contemporary) programme as well as at Goldsmiths, University of London where I earnt a first class honours in English and Drama. I also speak and write Spanish with a near-native proficiency. I was awarded the inagural East Midlands' In Good Company TAKE OFF Bursary in 2019 as well as an Arts Council England Project Grant to develop my debut play, It Kind of Looks Like a Doughnut. The play negotiates sexuality, grief and sexual health, couching each of these things in the wisdom of pagan mythology and spirituality. The play was created during my time on the Soho Writers' Lab 2017-18 and thanks to the In Good Company TAKE OFF Bursary, Doughnut had its first couple of outings as a fully-fledged piece, first at Nottingham Playhouse in September 2019, after which it transferred to the Arena Theatre Wolverhampton in October 2019.
Most recently the project was due to be awarded the Pleasance Theatre Trust/Curve Theatre Leicester Edinburgh Fringe fund. We were programmed to do a full 30 day run at the Pleasance Courtyard this August, but this has inevitably been pushed back to 2021 and is now dependent on the venues involved being able to support us financially in the wake of Coronavirus.
I trained as an actor, but writing was why I got into acting, and I see making my own work as crucial to challenging and developing myself in the direction that I have always believed I was meant to go in. I love, and want to be a part of making resonant, terrifying, socially and politically motivated work. I'm passionate about ancient and contemporary stories, new ways of telling them, and priortising lower social class, LGBTQ and mental health narratives. I want to scare myself and push myself creatively whilst having the support of others, and supporting other people in their work.
Development Assistant - Three Tables Productions
Apr 2019 - Present
Script Reader - Chapter One Productions
Jun 2018 - Present
Script Reader - Neal Street Productions Screenwriting Bursary Scheme
Oct 2020 - Dec 2020
Shadow Script Editor - Channel 4screenwriting Course 2020
Jan 2020 - Jul 2020
Script Reader - Playground Entertainment
Mar 2019 - May 2019
Script Reader - Magic Light Pictures
Nov 2017 - May 2019
Script Reader - Sky Drama
Sep 2017 - May 2019
In-house Development Assistant and Reader - Sky Drama
Oct 2018 - Feb 2019
Box Office Assistant - Barbican Centre
Oct 2017 - Nov 2018
Bookshop Assistant - National Theatre
Jun 2014 - Jun 2016
Bookseller - Waterstones (Nottingham Bridlesmith Gate)
May 2012 - Jan 2014
Acting - MA - Royal Central School of Speech and Drama
Sep 2016 - Aug 2017
English Literature and Drama - BA (Hons) First Class - Goldsmiths, University of London
Sep 2012 - Jun 2015
Fine Art - Level 3 Foundation Diploma - West Nottinghamshire College (Vision West Notts)
Sep 2011 - Jun 2012
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