About
I'm Holly, freelance scripted development professional. I have several years' experience supporting a range of UK based indies and major broadcasters and I'm currently on the lookout for my next opportunity. I am an experienced Development Script Editor and go-to industry Reader but I'm also interested in retraining in Continuity/Production as a Script Supervisor.
As a Scripted Dev Professional:
Recently:
-I've provided in-house development support to Watford & Essex, a brand new Bristol based scripted indie launched by Emma Frost and Matthew Graham and backed by Legendary Global.
Prior to this:
-I spent two years as the Development Assistant at Three Tables Productions, a London based scripted indie who prioritise diversity and difference and are drawn to audacious methods of storytelling.
-In Summer 2020 I completed a period working as a shadow Script Editor on the Channel 4screenwriting Course 2020 and prior to this I worked at Sky Drama as their inhouse Reader and Commissioning Assistant.
I had the good fortune to begin my career in TV development working as a freelance script reader, a role which led me to spend three months full-time as an inhouse Commissioning Assistant, Reader and Table Read Co-ordinator at Sky Drama. From 2017-2019 I worked predominately as a freelance script reader for Sky, Magic Light Pictures, Playground Entertainment and Chapter One as well as writing and developing my own work.
As a Writer:
I'm also a writer and producer. I trained on the Royal Central School of Speech and Drama's MA Acting (Contemporary) programme and the Soho Writers' Lab 17/18.
How it started:
-I was awarded the inagural East Midlands' In Good Company TAKE OFF Bursary in 2019 as well as an Arts Council England Project Grant to develop my debut play, It Kind of Looks Like a Doughnut. The play negotiates sexuality, grief and sexual health, couching each of these things in the wisdom of pagan mythology and spirituality.
-Doughnut had its first couple of outings as an R&D, first at Nottingham Playhouse in September 2019, after which it transferred to the Arena Theatre Wolverhampton in October 2019.
How it's going:
- The project was awarded the Pleasance Theatre Trust/Curve Theatre Leicester Edinburgh Fringe fund in Jan 2020. We were programmed to do a full 30 day run at the Pleasance Courtyard that August, but this was inevitably pushed into 2021.
- I have just produced the show for a week long run in the Pleasance Downstairs as part of the Pleasance's London-based Ed Fringe in August 2021. We were the highest selling show in the Downstairs space.
I love, and want to be a part of making resonant, terrifying, socially and politically motivated work. I'm passionate about ancient and contemporary stories, new ways of telling them, with a focus on LGBTQ and mental health narratives.
E-learning
See which ScreenSkills e-learning Holly Boyden has completed to improve their skills and knowledge.
Experience
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Script Reader and Consultant
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Trainee Producer
https://www.screencornwall.com/news-events/peninsula-producers-network-2023
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Script Reader
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Script Reader
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Script Reader (FT contract until April 2024)
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Script Reader
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Freelance Scripted Development Consultant
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Writer, Performer & Independent Theatre Producer
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Assistant to Producers/Production Coordinator
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Script Reader (Fixed term, Full time)
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Development Editor
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Development Assistant
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Script Reader
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Shadow Script Editor
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Script Reader
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Script Reader
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In-house Development Assistant and Reader
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Script Reader
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Script Reader
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Box Office Assistant
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Bookshop Assistant
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Bookseller
Education and training
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DV Talent: Crossroads - Navigating next steps in a creative career mentoring programme 2021
ScreenSkills Funded
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MA Acting
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BA (Hons) First Class English Literature and Drama
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Level 3 Foundation Diploma Fine Art