About
A highly organised and adaptable Junior Post Executive with HETV and film experience (interim PS on One Day and Too Much). Supported end-to-end post workflows (go-to for Apple TV and Netflix) for scheduling, budgeting, cut/grade/VFX/mix reviews to final delivery. A trusted problem-solver and multitasker, providing calm focus and expertise on projects that demand precision to drive post-production and ensure on-time delivery.
ScreenSkills Training Passport
Rickardo Beckles-Burrowes has completed the following modules within the ScreenSkills Training Passport.
Experience
-
Junior Post Executive
• Supporting PPS / Post Prod, editorial and production to help deliver projects through each Apple TV milestone: • Bad Sisters S2 (8 Ep’s) - Merman / Prod: Johann Knobel / Post Prod: Nicola Houghton. • Prime Target S1 (10 Ep’s) - New Regency, Scott Free / Prod: Sarah Jane Wheale / Post Prod: Clare Maclean & Post Sup: Vicky Marks. • Slow Horses S3 to S8 (6 Ep’s each) – See Saw Films / Prod: Jane Robertson (S3 – S6) and Jamie Laurenson & Hakan Kousetta (S7 & S8) / Post Prod’s: Samantha Winter & Reiko Shimazaki (S3 – S6) - Pete Oldham (S7 & S8). • Buccaneers S2 & S3 (6 Ep’s each) - The Forge / Exec Prod: Beth Willis / Post Prod: Alecia Weaver. • Down Cemetery Road S1 / S2 (8 Ep’s each) – 60: Forty / Prod: Emma Burge (S1) / Post Prod: Sarah Parfitt & Post Sup: Marie Fernandes (both on S1). • Hijack S2 (6 Ep’s each) – 60: Forty / Prod: Matt Chaplin / Post Producer: Portia Napier. • Trying S5 ((6 Ep’s each) – BBC Studios / Prod: Tim Mannion / Post Prod: Nicola Houghton. • Criminal Record S2 (6 Ep’s) – STV / Prod: Carmel Maloney / Post Sup: Vicky Marks. • The Wanted Man S1 (6 Ep’s) – New Pictures / Prod: Willow Grylls / Post Producer: Becky Page. • Prodigies S1 (7 Ep’s) – SISTER / Prod: Claire Jones / Post Prod: Emma-Louise Burke. • The Dispatcher S1 (6 Ep’s) – 60: Forty / Prod: Stuart Menzies, Katharina Haase / Post Prod: Charlotte Dean. • Berlin Noir S1 – Bad Wolf / Prod: Vicki Delow / Post Prod: Cristina Palmer-Romero. Features: • Fountain Of Youth – Paramount Skydance / Prod: Don Granger / Post Sup: Siobhan Boyes. • Echo Valley - WalshCo, Scott Free, SDTA Prod / Prod: Kevin Walsh / Post Prod: Emma Zee. • The Lost Bus – Blumhouse / Prod: Greg Goodman, Emily Evans-Thirlwell / Post Prod: Rebecca Adams. • The Family Plan 2 - Paramount Skydance / Prod: Don Granger / Post Prod: Suzie Swift.
-
Post Production Coordinator
• Too Much (10 Ep’s) – NETFLIX/NBCUniversal – Working Title • Producer: Camilla Bray / Post Producer: Anna Broke
-
Post Production Coordinator
• Piglets (6 Ep’s) – Sky Studios – Monicker Pictures • Exec Producer: Robert Harley and Producer: Victoria Pile / Post Producer: Alistair Hopkins
-
Post Production Coordinator
• ONE DAY (14 Ep’s) – NETFLIX/NBCUniversal – Drama Republic • Producer: Nige Watson / Post Producers: Mal Woolford - Kate Stannard
-
Post Production Coordinator
• Entitled (8 Ep’s) – SHOWTIME / Paramount+ - Two Brothers • Executive Producers: Harry and Jack Williams / Producer: Tim Kirkby / Post Producer: Mal Woolford
-
Production Coordinator
• UK and EU productions for David Olusoga’s company Uplands TV on. David was an Executive producer across: o 9 short films for Google o Once on This Familiar Spot (Film) – Storyfutures Academy, BBC, BFI & Final Pixel o Union (4 Ep’s) – Executive Producer: Mary Crisp / Line Producer: Rainier Chapman
-
Senior Marketing Leader (video production)
● Led global multi-disciplined teams for marketing campaigns, video production (PC experience across a spectrum of clients. Oversaw scheduling: creating call sheets, organising V. O’s and overseeing post production tasks). I refreshed my HETV / film production knowledge during the pandemic to return to the industry.
-
Writer / Copywriter
Script writing work (5 completed features), copywriting / copy editing (for serialised television drama, video production and corporate) producing content across social, digital and media channels. Published poetry work included in the following anthologies are: - Like Family (Writer / Author – Feb 2011): a poem written which was published by United Press Ltd in their anthology called 'Here & Now'. - Smoking Butterflies (Writer / Author - May 2003): a poem written which was published by United Press Ltd in their anthology called 'Heartland'. I oversaw and developed the inkmoves.com website (Wordpress / digital marketing experience).
-
Assistant Production Coordinator
● Supported the production office (with some runners reporting to me) executing the H & S protocol, created call sheets, arranged transport for talent / key crew, booked equipment and helped with on set equipment storage. ● Acted as a contact between the production office, cast and crew (I ran lines with actors helping talent management). ● I had a SA role playing 'Second West African Brother'.
-
Boom Operator
● Operated a fisher boom / fish pole to manage the film's sound capture supporting the sound recordist (who I learned a ton from about sound management) and rigged radio / lavalier mics.
-
Post Production Coordinator
● I coordinated bookings (completing dailies reports via the reporting tool for data coordinators data flow creation, updating storage files and archiving rushes) for a variety of production companies. ● Liaised with edit assistants, editors and external clients (giving updates r.e. issues / delays). ● Updated the folder system to better manage admin (completing worksheets / client billing) and ad hoc tasks (edit suite scheduling) for the wider post production team.
Education and training
-
Addressing unconscious bias: basic awareness in the workplace
ScreenSkills Funded
-
Post production explained: aspect ratio part one
ScreenSkills Funded
-
Post production explained: colour spaces part two
ScreenSkills Funded
-
Post production explained: colour spaces part one
ScreenSkills Funded
-
Diversity and inclusion training for HODs in High-end Television 2025 - 2026
ScreenSkills Funded
-
The ScreenSkills AI briefing with Kelsey Farish: Part 2
ScreenSkills Funded
-
The ScreenSkills AI briefing with Kelsey Farish
ScreenSkills Funded
-
Leaders of Tomorrow Induction session
ScreenSkills Funded
-
Leading effective teams in post-production for HETV
ScreenSkills Funded
-
Final Draft training for HETV
ScreenSkills Funded
-
Webinar for HETV: Building your career portfolio
ScreenSkills Funded
-
Movie Magic budgeting for high-end TV
ScreenSkills Funded
-
Budgeting 101
ScreenSkills Funded
-
Addressing unconscious bias: basic awareness in the workplace
ScreenSkills Funded
-
Addressing unconscious bias: basic awareness in the workplace
ScreenSkills Funded
-
Coronavirus basic awareness on production training
ScreenSkills Funded
-
Tackling harassment and bullying at work
ScreenSkills Funded
-
Demystifying unscripted TV post production: London & South/South East
ScreenSkills Funded
-
Film and TV apprenticeships: working in the production office
ScreenSkills Funded
-
Camera & sound equipment 101
ScreenSkills Funded
-
Demystifying unscripted TV production: London & South/South East
ScreenSkills Funded
-
Sustainable resilience
ScreenSkills Funded
-
Demystifying unscripted TV production: Northern Ireland
ScreenSkills Funded
-
ACES Training for HETV
ScreenSkills Funded
-
Networking skills for freelancers
ScreenSkills Funded
-
Business Toolkit for film and HETV freelancers
ScreenSkills Funded
Certificates
-
Addressing unconscious bias: basic awareness in the workplace
-
Post production explained: aspect ratio part one
-
Post production explained: colour spaces part two
-
Post production explained: colour spaces part one
-
Final Draft training for HETV
-
Tackling harassment and bullying at work