About
A meticulous and diligent Assistant Director with a strong track record on indie feature films and short films, known for being highly organised, reliable, and calm under pressure. I bring a proactive, team-focused work ethic to every set and am now eager to take the next step into larger-scale productions as a Production Runner
ScreenSkills Training Passport
Samuel Cheshire has completed the following modules within the ScreenSkills Training Passport.
Experience
-
1st Assistant Director (Commerical)
I oversaw the shooting schedule and ensured seamless coordination between departments. I handled call sheet creation, maintained clear communication on set, and managed talent movement. My role was essential in keeping the production running smoothly and on time
-
Production Runner
Supported the crew with logistics and ensuring the smooth flow of operations on set. I handled equipment runs, assisted various departments, and made sure talent and crew needs were met. The role demanded strong communication skills, adaptability, and efficiency in a fast-paced environment
-
1st Assistant Director (Feature Film)
I was responsible for overseeing set production and managing the shooting schedule to ensure all required scenes were completed on time. Additionally, I oversaw a team of production runners and worked with them to help aid what was needed on set.
-
1st Assistant Director (Music Video)
I managed the shooting schedule and coordinated all departments to ensure an efficient workflow. I created and distributed call sheets, maintained on-set organisation, and kept production on track. I also oversaw talent movement and supported the director in executing the creative vision
-
1st Assistant Director (Feature Film)
I managed set production and maintained the shooting schedule to ensure the timely completion of all necessary scenes, while also creating call sheets and coordinating closely with all department heads
-
3rd Assistant Director (Feature Film)
I worked closely with the First Assistant Director, providing support across various tasks as needed. Additionally, I was responsible for chaperoning talent on set and ensuring they were in the right place at the right time
-
1st Assistant Director (Short Film)
I was responsible for coordinating the daily shooting schedule, ensuring the production stayed on track and on time. I led communication between departments, created and distributed call sheets, and oversaw on-set operations to keep everything running smoothly. I also worked closely with the director to manage talent movement, crew coordination, and overall set logistics
-
3rd Assistant Director (Dailies) - (Feature Film)
I worked closely with the First Assistant Director, offering hands-on support with day-to-day operations to ensure the smooth running of the shoot. My responsibilities also included chaperoning talent around set, making sure they were well-informed, prepared, and escorted to their designated locations on time
-
Production Runner (Dailies) - (Music Video)
I worked as a Production Runner on a music video, supporting the crew with on-set tasks, handling equipment runs, and assisting with location setup. I ensured talent and departments had what they needed to keep production running efficiently in a fast-paced environment
-
2nd Assistant Director (Short Film)
As 2nd Assistant Director on this short film, I was responsible for preparing and distributing call sheets, coordinating talent movement, and supporting the 1st AD with on-set logistics. I ensured cast were in the right place at the right time and maintained clear communication across departments
-
Production Runner (Short Film)
I facilitated smooth operations by managing equipment logistics, supporting crew needs, and assisting with location setup. I ensured timely coordination between departments and talent, contributing to an efficient and well-organised shoot.
-
Script Supervisor
Created plans and documented shot details for every scene, ensuring seamless continuity and assisting the camera operator in delivering consistent and high-quality content. Strategised and contributed to set design and costume management, contributing to the visual appeal and overall production quality.
Education and training
-
From script to screen: how scripted content gets made
ScreenSkills Funded
-
Getting into the screen industries
ScreenSkills Funded
-
Introduction to sustainability for the screen industries
ScreenSkills Funded
-
Safeguarding for all: basic awareness for the screen industries
ScreenSkills Funded
-
Tackling harassment and bullying at work
ScreenSkills Funded
-
Best practices for training in the screen industries
ScreenSkills Funded
-
Introduction to mental health awareness at work
ScreenSkills Funded
-
Addressing unconscious bias: basic awareness in the workplace
ScreenSkills Funded
-
Lighting for all skin tones
ScreenSkills Funded
-
Coronavirus basic awareness on production training
ScreenSkills Funded
-
Addressing unconscious bias: basic awareness in the workplace
ScreenSkills Funded
-
Measuring mastery: knowledge test
ScreenSkills Funded
-
VFX
ScreenSkills Funded
-
Post production
ScreenSkills Funded
-
The production office
ScreenSkills Funded
-
Typical working day
ScreenSkills Funded
-
Set etiquette
ScreenSkills Funded
-
Your first day
ScreenSkills Funded
-
How the set is run
ScreenSkills Funded
-
Confidentiality
ScreenSkills Funded
-
Who is in charge
ScreenSkills Funded
-
Freelance life
ScreenSkills Funded
-
How content gets made
ScreenSkills Funded
-
Family tree
ScreenSkills Funded
-
Inclusive hiring for the screen industries
ScreenSkills Funded
-
Mentoring for mentees
ScreenSkills Funded
-
Introduction to mental health awareness at work
ScreenSkills Funded
-
Tackling harassment and bullying at work
ScreenSkills Funded
-
Safeguarding for all: basic awareness for the screen industries
ScreenSkills Funded
-
Diversity, equity and inclusion for the screen industries
ScreenSkills Funded
-
How to perform well in a screen industries interview
ScreenSkills Funded
-
How to apply for work in the screen industries
ScreenSkills Funded
-
How to find work in the screen industries
ScreenSkills Funded
-
How to identify the right role for you in the screen industries
ScreenSkills Funded
-
Introduction to working in the screen industries
ScreenSkills Funded
-
Film and Television BA (Hons) Film and Television
Over the course of my studies, I studied the process of film and television production incorporating, both practical and theoretical work. I was taught in various production equipment including, broadcasting and cinema cameras, sound equipment, lighting and editing software. Alongside this, I learned the history and understanding of films and television genre and the process behind productions.
Certificates
-
Introduction to sustainability for the screen industries
-
Safeguarding for all: basic awareness for the screen industries
-
Tackling harassment and bullying at work
-
Best practices for training in the screen industries
-
Introduction to mental health awareness at work
-
Addressing unconscious bias: basic awareness in the workplace
-
Lighting for all skin tones
-
From script to screen: how scripted content gets made
-
Inclusive hiring for the screen industries
-
Mentoring for mentees
-
Introduction to mental health awareness at work
-
Tackling harassment and bullying at work
-
Safeguarding for all: basic awareness for the screen industries
-
Diversity, equity and inclusion for the screen industries
-
Getting into the screen industries